House Rules (High Risk Books)

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I wish we hadn't lost touch in the madness of our early twenties, but that's what that age is all about - breaking free and realizing your own self. Ocr tesseract 4.1.1 Ocr_detected_lang en Ocr_detected_lang_conf 1.0000 Ocr_detected_script Latin Ocr_detected_script_conf 0.9701 Ocr_module_version 0.0.10 Ocr_parameters -l eng Old_pallet IA-NS-2000168 Openlibrary_edition

NOTE: I didn’t include any plot spoilers, but if you’re a “less I know the better” kind of reader, I would wait to read any further.**

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Lee appears as a character who is honest and loyal, but can't get herself out of situations that will hurt her. It seems as if she doesn't have the strength or ability, but maybe it's because the pain helps numb everything in the end. She's a character who's very human and I found her relatable, despite us having little in common. I admire Lee. Sadly she only believes what happens to the horses is wrong, and could not understand the same was happening to her until the very end. Given our culture's evergreen fixation with elite lives in spiral, I'm baffled that House Rules hasn't experienced a second wind like Heather Lewis' Notice. Perhaps this has something to do with the novel's rights: House Rules was a New Narrative gem published by Serpent's Tail during the early days of the UK house's short-lived US division. Then again, existing US NN house Semiotex(e) doesn't have a good record of intuitively republishing books when their authors reenter literary work consciousness (cough, Shulamith Firestone, cough). It's a deep and dark story, and what makes it work is the mystery of the show-jumping world. Not all of us are familiar with it, so there's a certain elusiveness. The story truly conveyed emotion and pain- when I read about the abuse Linda and Carl set their horses through, an example being a car battery used on a water jump, it gave me a very lonely and discomforting feeling. This book only makes me wonder- was there really someone like this, people who did this, and if so.. what happened to them? The situations are so odd that they feel real to me, but Heather can't answer these questions for me now. I wish she could. She does an excellent job of exploring the line between pain and pleasure in her work, and the relationships of those who walk it. Lewis's third and final novel, published posthumously, is as dark and gritty as her 1994 debut, House Rules I think the part I find troublesome is the graphic sex—which is not about passion, but about pain. I understand why this was introduced, but after awhile, it does get old—and I would feel the same about heterosexual sex. To me, I always found sex in a book to be a filler when someone’s main story wasn’t strong enough. In this story, yes, it has purpose, but the extensive way it’s described over and over again, you sort of start to say ‘ok, is this it?’ In the beginning, it’s purpose was highlighted, but as we progress in the story, it just starts to work like a broken record. Obviously these incidents impacted on the writer, who wrote this obviously from experience. But, I feel it was to hide a greater feeling and emotion and story. Which is a shame.

As Aristotle pointed out long ago, we enjoy good representations in fiction of things we would not enjoy at all in real life, whether Oedipus stabbing himself in the eyeballs, or in Lee’s case, what it would feel like to mount a horse after being fisted. I cannot imagine wanting to be a bottom, but can see in being a sexual passive a form of misplaced spirituality, a wrong turn in the path to what Ignatius designated as the third level of humility - perfect identification with Jesus’ suffering. But tho’ some of the blurb descriptions of this book make it sound like a work of Lesbian S/M erotica, I did not find that @ all. The sex scenes seemed more descriptions of extreme unarmed combat or OTT hazing @ a very bad fraternity or military school. The very heavy drug use in the novel represents a Dionysiac spirituality, as in Donna Tartt’s The Secret History. (I’d known from my hospital experience the Dilaudid was the good stuff, but now I know why & that you can use it to control both horses & riders.) Like some other favorite characters, Lee is both extremely tough and very vulnerable. She doesn’t know how to recognize or repay generosity, yet she has an enormous capacity to endure abuse while retaining her personal dignity.

About the Author

I do wish we knew more about the main character: How did she start riding and how she got into the show scene, because the level she is showing is not an easy place to be. You need money—even as a catch rider, you need money and you need to be good enough to have a name that people want you showing their horses. Affiliation with a barn sure, but you need to win, and win a lot. So, right there, the level of this character’s skill is a bit frustrating, because as the writer does take you through moments of riding at the shows, they are of someone who is skilled. Not exactly spoilers in this review, but general outline of the plot (so you might want to avoid it!)

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A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

Her girlfriend, Tory, is also very obviously a victim. Another thing that killed me was that under different circumstances these characters could be so happy, they could heal each other and be happy young lesbians in love, but they’ve experienced so much trauma that the only way they can interact with each other is through violent sex and drugs. It’s got the hopelessness of a true tragedy, to the point that you almost become accustomed to the tragedy by the end of the book and you’ve gotten comfortable with the fact that there’s just about no hope for these characters. But tho’ the sex in House Rules is not all that erotic, this book excels other novels about young athletes in the erotics of extreme competition. You can almost feel you’re in the saddle with Lee & smell the horse lather. Amber Dermont hadn’t a clue how to do that with dingy sailing in The Starboard Sea. Even Yonahloosee Riding Camp - tho’ belonging to a higher level of literature - doesn’t take you over the jumps with Thea Atwell as Heather Lewis lets you ride with Lee. The only thing I’ve read recently that matches this in sheer intensity is the chapter in Dare Me where the Sutton Grove cheer squad elevate Beth Cassidy for what is expected to be the culminating 2-2-1. (Beth, we recall, was also an equestrienne as well as a cheer captain.) Sex, drugs, abuse—yes, that’s the darker side of the horse industry—any walk of life to be honest. We choose what we want to be a part of, even if you have had a life that created the spiral. The key element is what choice to you want to make. And that is where House Rules gets it. The main character starts to realize where she is, what is going on and the ending, which if this is a real experience, I’ve never heard of this happening, comes to a very real and sobering reality.

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Although the book is powerfully honest and brutal I had problems more with the writing and character development. I suppose it just takes time to get used to how Heather Lewis wrote her novels. I admire the way she laid Lee's emotions and entire life bare for the reader to witness. It's just at the end of the book I didn't really feel like I knew Lee at all. And the entire world of show horses is completely unknown to me. I understand Lewis knew about it well and she certainly was able to show that through her words. I just wasn't able to picture any of the scenes in my head that contained the horses, which was a important thing to Lee. This book is incredibly hard to get through not just because of the graphic violence and abuse, but because of the very real emotional fallout of the abuse. The main character, Lee, not only suffers brutal abuse from the adults who are supposed to protect her (many of them are also enabling it) but her narration reveals that she feels like it’s something about HER, that it’s her fault, which is gut wrenching. Warning: If you are looking for a book about horses and showing, this is NOT it. This is not the type of feel good, under dog winning the championship type of book. This is a book that shows the horse industry —that other aspect of the industry—that we know exists. And it’s graphic. Very, very graphic. urn:lcp:houserules000lewi:epub:7ff4901d-899e-42b1-9dba-6bdb829b3705 Extramarc Columbia University Libraries Foldoutcount 0 Identifier houserules000lewi Identifier-ark ark:/13960/t81k0jc73 Isbn 9781852424138 I'd never read a book authored by someone who was once a very close friend. Add to that that I've only recently found out she became an author. And that she took her own life, before I made this discovery.