TY Mr Bean - Bendable

Product Information

Although a distinctly British character Mr Bean’s antics and visual humour have been shown and loved in 245 territories around the world, in 2 feature films and meant he was even a key character in the London 2012 Olympic Games opening ceremony. Act 1: Bean buys a portable television for his flat, and has difficulty in trying to position the antenna to get good reception. When he discovers that he can only get reception if he sits in a part of the room where he cannot see the screen, he is distraught. Ingeniously, he strips down and assembles his clothes — underwear and all — on the chair, and the television starts working - just before his pre-paid electricity meter runs out. Act 1: Bean sees a busker playing a saxophone and wants to drop some change in his saxophone case. When he finds he has no change, he places his handkerchief on the ground and dances in a rather silly way to the saxophone music; a woman stops by and leaves him a coin, which he then transfers to the saxophonist's case. That said, Mr. Bean is seen to possess some level of social conscience. The most obvious example is ‘Mind the Baby, Mr. Bean’ (S1E10), where, under comically unfortunate circumstances, Mr. Bean attempts to reunite a baby with their mother. Suffice to say, he does not kill the baby in this situation.

Act 3: Later, Bean has bought several items including the chair, paint cans and an assortment of brushes and mops. After strapping the chair to the roof and squeezing everything else inside the car he realises there's no room left for himself. He then has an idea. Bean successfully constructs a way of remotely driving the car from the chair attached to the roof, and embarks on a daredevil driving expedition, which goes incredibly well until he ends up on a steep decline and his only braking device is to run the car into a parked van filled with pillow feathers.Mr. Bean is compelled to live out an individually oppositional way of being. This friction is where the comedy is intended to lie, as Mr. Bean devises increasingly complex and poorly-contrived solutions to ordinary problems that, to ordinary people, necessitate simple and painless solutions. Act 2: Bean goes to the beach and tries to change from his street trousers and underpants into his swimming trunks without ever becoming naked so a nearby man (Roger Sloman) won't see him. After he succeeds, it turns out the man was actually blind. Act 2: Bean enters a museum, photographs the inside of a dustbin, and pries a sundial off its stand so that he can place his camera on it and get a photo of himself with a Queen's Guard. He irritates the Guard by dressing him up with flowers and other things, trims the Guard's moustache, and impales his Teddy on the Guard's bayonet. Just before he can take the photo, the charge is called, and the Guard walks away, Teddy and all, just before the camera snaps the photo. A photo of Bean chasing after the Guard was taken at the end of this act. Many viewers have assumed that Mr. Bean is an alien. It is true that Rowan Atkinson, the series creator, admitted to the Buffalo News the character ‘has a alien aspect to him’. But this underscores the moral play that runs throughout Mr. Bean, and in turn provides the character with such unusual appeal.

The build itself finds Mr Bean with Teddy and a mop accessory, so he’ll be able to get his new bargain armchair home as we saw in the classic episode ‘Do-It-Yourself Mr Bean’. There is also a rope to tie the chair down which is not included on the rendered pictures although it can be clearly seen in the additional built pictures. The difference between the inconveniences of Mr Bean and ours are that he is a man whose nature constantly at odds with the world. The conflicts of Mr. Bean are fought alone. He is not one to seek support or abandon his many grievances because to oppose the conventional world is in his very nature. Act 3: Bean prepares for bed, then puts Teddy to sleep and turns off the light with a pistol, but has trouble falling asleep. After trying several methods for getting to sleep (scaring noisy cats by disguising himself as a dog, watching a chess game on TV, etc.), he finally falls asleep by counting sheep in a picture, using a calculator. After counting the sheep, he suddenly falls asleep and the credits roll. After the credits, he falls out of bed, and the sound of Bean hitting the ground is heard.

The Collectible

Bob Dylan was once quoted by the New York Daily News, ‘A man is a success if he gets up in the morning and goes to bed at night, and in between, he does what he wants to do’. If success is a union of man with his will, unconstrained by the burdens imposed by society, is not Mr. Bean an wildly successful man? The few scholars that have written on Mr. Bean have noted this unusual trend. Patricia Neville, in Comedy, Mr. Bean, and the representation of masculinities in contemporary society, notes that ‘despite (its) success, very little academic attention has been paid to the character or the series’ for several reasons: