Canon DM-XL1s Professional Mini DV Camcorder – (Discontinued by Manufacturer)

Product Information

I'm shooting stills plus video for promotions of a conservation not-for-profit, using my stills cameras for video (mainly Sony NEX-7 and Nikon 1V1, but also SLRs). Having said the above , we have XDCAM kit at work ( up to the PDW F800 ) so I am well aware of what decent HD can look like . Custom Keys and Presets -- Certain camera and VCR mode functions can be programmed into these two buttons for immediate access when desired. This is the reason you benefit from a minimum 1-year warranty with the purchase of a refurbished device at Back Market. In-depth testing Latest Camera Reviews Beyond the studio tests Feature Articles and Videos see how we see Sample Galleries real world performance Field Test Videos Throwback Thursday Classic Cameras from Days Past What's that Noise?

But old video wasn't good enough, even then, and to be honest, today's 1080 HD probably isn't quite there yet, either. The XL1S features the exclusive XL interchangeable lens-mount system which, in addition to exclusive interchangeable video lenses, also makes possible the use of a range of Canon’s extensive lineup of EF lenses for EOS 35mm cameras when outfitted with an optional EF mount adapter.

Optional lenses, viewfinders, and microphone adapters allow you to customize the XL1S to your specific style and application. A range of new features has been incorporated into the XL1S based on suggestions submitted by XL1 users, making possible greater flexibility in creative expression. While I'm a big DVX100 fan (having owned one for many years) and it was a great camera, I highly recommend you look at a High Definition camera. The new IS II lens is backward-compatible with the older XL1, and like its predecessor, it includes a neutral density filter, a maunal/auto focus switch, and Canon's superb Optical Image Stabilization technology.

Additionally, the model includes improvements in White Balance, Zebra Pattern Level, and Gain Control functions, enhancing overall performance and ease of use. The difference between old pro stills and old pro video, I'm guessing, is that old stills cameras were good, just a bit harder or more expensive to use.Sean's comment about future-proofing, and Francis' about watching quality footage seem to point to that.